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Corpus Christi Tridentine High Mass at 11 am with Eucharistic Procession

Details:
Jun. 7, 11:00 am  -  External Solemnity of Corpus Christi, Latin High Mass (Ordinary Form)

Missa Trahe Me Post Te, Tomás, Luis de Victoria, (c. 1548 –1611)
Lauda Sion, Hendrik Andreissen (1892 – 1981)
Panis Angelicus, Pierre Villette (1926 – 1998)
Ego Sum Panis Vivus, Pierre Manchicourt (c. 1510 – 1564)

The 11 am and 12:30 pm Masses are combined today. The 11 am Mass will be celebrated according to the 1962 Missale Romanum (Extraordinary Form). We are planning to have an outdoor Eucharistic procession after the 11 am Mass. There will not be a 12:30 pm Mass.

St. Cecilia Choir sings 12:30 pm Mass

Details:
May. 24, 12:30 pm  -  Solemnity of Pentecost, Latin High Mass (Ordinary Form)

Missa Veni Creator, Guiseppe Bernabai (1649 – 1732)
Non Vos Relinquam, William Byrd (1540 – 1623)
Factus Est Repente, James MacMillan (b. 1959)

St. Cecilia Choir sings 11 am Mass

Details:
May. 24, 11:00 am  -  Pentecost
Missa Veni Creator, Guiseppe Bernabai (1649 – 1732)
Non Vos Relinquam, William Byrd (1540 – 1623)
Factus Est Repente, James MacMillan (b. 1959)

St. Cecilia Choir sings 12:30 pm Mass

Details:
May. 17, 12:30 pm  -  External Solemnity of the Ascension of Our Lord, Latin High Mass (Ordinary Form)

Missa Rex Gloriae, Alonso Lobo (1555 – 1617)
Caelos Ascendit, Charles Villiers Stanford (1852 – 1924)
Ascendens Christum in Altum, Francisco Guerrero (1528 – 1599)

St. Cecilia Choir sings 11:00 am Mass

Details:
May. 17, 11:00 am  -  Ascension of Our Lord, Latin High Mass (Ordinary Form)

Missa Rex Gloriae, Alonso Lobo (1555 – 1617)
Caelos Ascendit, Charles Villiers Stanford (1852 – 1924)
Ascendens Christum in Altum, Francisco Guerrero (1528 – 1599)

Night in Poland

Details:
May. 15, 6:30 pm

6:30 pm Polish Dinner in the Church Hall
7:30 pm Performance with Polish Dance and Music



St. Cecilia Choir sings 11 am Mass

Details:
May. 3, 11:00 am  -  5th Sunday of Easter, Latin High Mass (Ordinary Form)

Missa Brevis, Grayston Ives (b. 1948)
Regina Coeli, Tomás, Luis de Victoria, (c. 1548 –1611)
Dum Transisset Sabbatum, Christia Erbach (c. 1568 – 1636)

St. Cecilia Choir sings 12:30 pm Mass

Details:
Apr. 12, 12:30 pm  -  “Quasimodo” Sunday, Latin High Mass (Extraordinary Form)

Missa Aeterna Christi Munera, Giovanni Pierluigi da Palestrina (1525 – 1594)
Angelus Domini, Josef Gabriel Rheinberger (1839 – 1901)
Alleluia, Cognoverunt Discipuli, William Byrd (1540 – 1623)

10pm Easter Vigil, St. Cecilia Choir

Details:
Apr. 4, 10:00 pm  -  Solemnity of the Resurrection of Our Lord, Latin High Mass (Ordinary Form)
Missa Ego Sum Qui Sum, Phillipe Rogier (1561 – 1596)
Tulerunt Dominum Meum, Giovanni Battista della Gostena (c. 1558 – 1593)
Ego Sum Qui Sum, Nicholas Gombert (1495 – 1560)

Attending this Mass fulfills the obligation for Easter Sunday.

There is no 8:30 am Mass or 5 pm Mass on Holy Saturday, April 19

3pm Good Friday Service, St. Cecilia Choir

Details:
Apr. 3, 3:00 pm  -  Solemn Liturgy of Good Friday
2:30 pm Confessions begin and continue through the Liturgy.

St. John Passion, Francisco Guerrero (1528 – 1599)
Vinea Mea Electa, François Poulenc (1899 – 1963)
Improperia, Tomás, Luis de Victoria (c. 1548 –1611)
Crux Fidelis, John IV of Portugal (1604 – 1656)
Vexilla Regis, Anton Bruckner (1824 – 1896)

After the 3 pm Good Friday Liturgy we pray the Divine Mercy Chaplet & Novena.

Additional Confessions will be heard after the 3 pm Good Friday Liturgy.

7 pm Mass, St. Cecilia Choir, Holy Thursday

Details:
Apr. 2, 7:00 pm  -  Holy (“Maundy”) Thursday, Latin High Mass (Ordinary Form)
Nos Autem Gloriari , Grayston Ives (b. 1948)
Missa Ecce Quam Bonum, Jacobus Clemens non Papa (c. 1510 – c. 1555)
Ubi Caritas, Richard Kidd (b. 1952)
Domine Jesu in Qua Nocte, Giovanni Pierluigi da Palestrina (1525 – 1594)
Tantum Ergo, Flor Peeters (1903 – 1986)

Tenebrae for Spy Wednesday, 7:30 pm, St. Cecilia Choir

Details:
Apr. 1, 7:30 pm
Spy Wednesday of Holy Week

Responsoria, Tomás Luis de Victoria, (c. 1548 – 1611)
Benedictus, Jacob Handl (1550 – 1591)
Christus Factus Est, Anton Bruckner (1824 – 1896)
Miserere Mei, Gregorio Allegri (1582 – 1652)


There is no 7:30 pm Mass tonight.

St. Cecilia Choir sings for Palm Sunday Mass at 9:30 am

Details:
Mar. 29, 9:30 am
The 9am and 11am Masses are combined on Palm Sunday. Mass begins at 9:30 am.

Palm Sunday, Latin High Mass (Ordinary Form) - 9:30 am

Ingrediente Domino, George Malcolm (1917 – 1997)
St. Mark Passion, Francisco Guerrero (1528 – 1599)
Missa In Media Vita, Nicholas Gombert (1495 – 1560)
Improperium, Russell Woollen (1923 – 1994)
Timor et Tremor, Roland Lassus (1532 – 1594)

Note: The early Mass on Palm Sunday starts at 7:00 am (30 minutes earlier than on most Sundays of the year), but the Tridentine Latin High Mass begins, as usual, at 12:30 pm on Palm Sunday.

St. Cecilia Choir sings 12:30 pm Mass

Details:
Mar. 15, 12:30 pm  -  4th Sunday in Lent (“Laetare”), Latin High Mass (Ordinary Form)

Messe in D, Joseph von Eybler (1765 – 1846)
Scapilis Suis, Robert Kruetz (1922 – 1996)
Crux Fidelis, Jean Jules Amabile Roger-Ducasse (1873 – 1954)

St. Cecilia Choir sings 11 am Mass

Details:
Mar. 15, 11:00 am  -  4th Sunday in Lent (“Laetare”), Latin High Mass (Ordinary Form)

Messe in D, Joseph von Eybler (1765 – 1846)
Scapilis Suis, Robert Kruetz (1922 – 1996)
Crux Fidelis, Jean Jules Amabile Roger-Ducasse (1873 – 1954)

Mozart Masterworks

Details:
Mar. 8, 5:30 pm




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This performance includes the Kyrie and Gloria from the Mozart Grand Mass in C Minor. Great Mass in C minor (German: Große Messe in c-Moll), K. 427/417a, is the common name of the last musical setting of the mass by Wolfgang Amadeus Mozart. He composed it in Vienna in 1782 and 1783, when he was no longer a church musician of the Salzburg Cathedral. The large-scale work, a Missa Solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei. We will perform the the Kyrie and Gloria, which Mozart certainly wrote. Here is a sample of the music...



Vesperae solennes de confessore
, K. 339, is a sacred work composed in 1780 by Wolfgang Amadeus Mozart. It is scored for SATB soloists, SATB choir, and orchestra. It was composed for liturgical use in the Salzburg Cathedral. This was Mozart's final choral work composed for the cathedral. Enjoy these musical samples...



Cantate Domino Choir sings for 7:30 pm Mass

Details:
Feb. 18, 7:30 pm  -  Ash Wednesday
• Messe Basse, Rev. Scott A. Haynes (b. 1971)
• Stabat Mater, Giovanni Battista Pergolesi (1710-1736)
• O quam tristis et afflicta, Giovanni Battista Pergolesi (1710-1736)
• Quando Corpus Morietur, Giovanni Battista Pergolesi (1710-1736)

Organ Recital of Harry van Wijk

Details:
Feb. 15, 3:00 pm
* Die Moldau; F. Smetana; transcrition B. Bannasch
* Fantasie in F moll; KV 608; W.A. Mozart
* Praeludium und Fuge opus 37 nr 2 in G dur; F. Mendelssohn Bartholdy
* Concerto in A moll; BWV 593; J.S. Bach
* Lift up your heads; A. Guilmant
* Toccata giocosa; H.A. Stamm
* Basso Ostinato; D. Koomans

SCHEDULE



2:00 pm lunch (lower level, cafe)
3:00 pm recital (church)



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TICKETS



$20 (adult)
$15 (seniors over 65)
$15 (student i.d.)
$10 (youth 6-18 years)



St. Joseph College Choir sings 12:30 pm Mass with the Resurrection Choir & Orchestra

Latin High Mass, Ordinary Form

Details:
Feb. 15, 12:30 pm  -  Quinquagesima Sunday
Mass in Bb, K 275, Wolfgang Amadeus Mozart (1756-1791)
Confitebor, KV 339, Wolfgang Amadeus Mozart (1756-1791)
Laudate Pueri, KV 339, Wolfgang Amadeus Mozart (1756-1791)
Jubilate Deo, Healey Willan (1880-1968)

Resurrection Choir and Orchestra
St. Joseph College Choir, Rensselaer, Indiana







Magnificat Youth Choir Sings for 11am Mass

Latin High Mass, Ordinary Form

Details:
Feb. 15, 11:00 am  -  6th Sunday in Ordinary Time
Magnificat Youth Choir
Music - TBA

The Cameraman - Movie Night with the Silent Film Society

Details:
Feb. 14, 6:00 pm  -  Featuring Jay Warren performing on the 1924 Wurlitzer Theatre Pipe Organ
Join us on St. Valentine's Day for a family movie we can all enjoy!

5:30 pm: Doors open
6:00 pm: Movie showtime





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Jay Warren - Chicago's foremost photoplay organist - brings all the color, excitement, and glamour of the silent film era back to life with his original scores for the silver screen. As a regularly featured photoplay organist for the Silent Film Society of Chicago, he has accompanied most of the great silent films throughout his thirty year career in his famous rousing style. He has been featured annually for the society's highly regarded Silent Summer Film Festival since its inception in 2000. For twelve consecutive years he held forth playing the huge E.M. Skinner pipe organ for silent films at the University of Chicago's famed Rockefeller Memorial Chapel. He also performs film accompaniment on the beautiful Letourneau pipe organ in the Crimi Auditorium of Aurora University. Jay has also made several silent film photoplay appearances on the incredible 5/80 Wurlitzer located at the Sanfilippo Foundation's Place de la Musique in Barrington, Illinois.

Purchase your ticket online and print-at-home.

Tickets will be available at the door as well.

ABOUT 'THE CAMERAMAN'


Buster (Buster Keaton), a sidewalk tintype portrait photographer, develops a crush on Sally (Marceline Day), a secretary who works for MGM Newsreels. To be near her, he purchases an old film camera, emptying his bank account, and attempts to get a job as one of MGM's filmers. Harold (Harold Goodwin), an MGM cameraman who has designs on Sally himself, mocks his ambition.
Sally, however, encourages Buster and suggests he film anything and everything. Buster's first attempts show his total lack of experience. He double exposes or over exposes much of the footage, and the rest is simply no good. Despite this setback, Sally agrees to go out with Buster, after her Sunday date cancels. They go to the city plunge (pool), where Buster gets involved in numerous mishaps. Later, Harold offers Sally a ride home; Buster has to sit in the rumble seat, where he gets drenched in the rain.

The next day, Sally gives him a hot tip she has just received that something big is going to happen in Chinatown. In his rush to get there, he accidentally runs into an organ grinder, who falls and apparently kills his monkey. A nearby cop makes Buster pay for the monkey and take its body with him. The monkey turns out only to be dazed and joins Buster on his venture.
In Chinatown, Buster films the outbreak of a "Tong War", narrowly escaping death on several occasions. At the end, he is rescued from Tong members by the timely arrival of the police, led by a cop (Harry Gribbon) who had been the unintentional victim of several of Buster's antics over the last few days. The cop tries to have him committed to the mental hospital, but Buster makes his escape with his camera intact.

Returning to MGM, Buster and the newsreel company's boss are dismayed to find that he apparently forgot to load film into his camera. When Sally finds herself in trouble for giving Buster the tip, Buster offers to make amends by leaving MGM alone once and for all.

Buster returns to his old job, but does not give up on filming, setting up to record a boat race. He then discovers that he has Tong footage after all; the mischievous monkey had switched the reels. Sally and Harold are speeding along in one of the boats. When Harold makes too sharp a turn, the two are thrown into the river. Harold saves himself, but Sally is trapped by the circling boat. Buster jumps in and rescues her. When Buster rushes to a drug store to get medical supplies to revive her, Harold returns and takes credit for the rescue. The two go off, leaving the broken-hearted Buster behind.

Buster decides to send his Tong footage to MGM free of charge. The boss decides to screen it for Harold and Sally for laughs, but is thrilled by what he sees, calling it the best camerawork he has seen in years. They also see footage of Buster's rescue of Sally (taken by the monkey). The boss sends Sally to get Buster. She tells him he is in for a great reception. Buster assumes a ticker-tape parade is in his honor, whereas it is really for Charles Lindbergh.

St. Cecilia Choir sings 11 am Mass

Details:
Feb. 8, 11:00 am  -  5th Sunday in Ordinary Time, Latin High Mass (Ordinary Form)
Missa Audi Filia, Claude Goudimel (c.1514 – 1572)
Gustate et Videte, Heinrich Isaac (1450 – 1517)
Ave Verum, Svein Moller (1958 – 1999)


Cantate Domino Choir sings for 12:30 pm Mass

Latin High Mass, Extraordinary Form

Details:
Feb. 1, 12:30 pm  -  Septuagesmia Sunday
• Messe in G, Josef Zwerger
• Partita in F Dur, Johann Joseph Fux
• Ave Verum, Op. 65, No. 1, Gabriel Fauré
• Ave Maria, Dom Lorenzo Perosi
• Ego Sum Panis Vivus, Ettore Pozzoli

Cantate Domino Choir with String Ensemble