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Brink Bush Organ Recital

Details:
Nov. 5, 3:00 pm  -  The concert will help benefit the poor and needy served by the St. Vincent De Paul Society




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Featured Composers



Henri Dallier
Jean Francaix
Wilhelm Middelschulte
Anthony Newman
Henri Nibelle
Camille Saint-Saens
Gerhard Strecke
Tomislav Vodakovic

About the Artist



Brink Bush is one of the leading interpreters of German Romantic organ music in the world today. He has performed and has made an extensive study of the organ works of the German-American composer, Wilhelm Middelschulte (1863-1943). He has performed throughout the United States, Germany, France, Austria, Israel and made his German debut at the Berlin Cathedral in 2001. Bush has given his lecture, “Wilhelm Middelschulte, his Life and Works” at Yale University, University of Iowa and for the National Convention of the American Guild of Organist, Chicago 2006. He was featured on American Public Media’s "Pipedreams" in a program titled Bach, Bush and Middelschulte. His New York debut was heard at Trinity Church Wall Street during the "Virgil Fox Legacy Twenty-fifth Anniversary Concert Weekend” and he is editor of the book “The Innermost Secrets” by T. Ernest Nichols, a book about the performance technique of the late great Virgil Fox. Brink’s CD, Heavy Pedal was most recently heard on BBC Radio 3, Late Junction Show featuring the Perpetuum Mobile for pedals alone of Middelschulte. Brink presented a lecture about Middelschulte at National Convention of the American Guild of Organists in Boston, June 2014. In 2015 he premiered the J. S. Bach/Middelschulte version of the Goldberg Variations at Harvard University and Westminster Cathedral, London.
Brink serves at Organist-Director of Music for Sainte Anne Parish in Salem MA.

Musical Samples - Brink Bush, Organist






St. Cecilia Choir sings 12:30 pm Mass

Details:
Oct. 29, 12:30 pm  -  Christ the King
Missa Ecce quam Bonum, Hans Leo Hassler
Dominus regit me, Philippe Rogier
In Nomine Jesu, Jacob Handl
Acclamations: Christus Vincit, Gregorian Chant

Jonathan Rudy - Banquet and Concert

Details:
Oct. 21, 7:00 pm




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ABOUT JONATHAN RUDY

Jonathan Rudy, a native of Batavia, IL, is proud to follow a sacred music vocation. He has recently performed in locations across the United States, including an appearance at the 2016 AGO National Convention in Houston. Rudy appears frequently in performance competitions, recently winning First and Audience Prizes in the National Young Artists Competition in Organ Performance. He has also been a finalist in the National Organ Playing Competition in Fort Wayne, IN, and received Second Prize in the Regional Competition for Young Organists in 2011. Mr. Rudy is currently pursuing his Doctorate in Organ and Sacred Music at Indiana University, studying organ with Janette Fishell and improvisation/sacred music with Bruce Neswick. His prior degrees are from I.U. and Valparaiso University (studying with Lorraine Brugh and Karel Paukert), and studied in High School with Karl Bruhn and his mother, Melinda J. Rudy. He is Director of Musical Arts and Administration at St. John Cantius Catholic Church in Chicago, where he lives with his beautiful wife, Katie.
CONCERT REPERTOIRE

Coming soon.

St. Cecilia Choir sings for Pontifical Mass in honor of Our Lady of Fatima

Details:
Oct. 13, 7:30 pm


SPONSOR THE MUSIC

If you would like to help sponsor the St. Cecilia Choir and Orchestra to present a beautiful musical offering for this event, please send your donation to the Patrons of Sacred Music (AMDG Foundation).

Make checks payable to "Patrons of Sacred Music" and send to:

Patrons of Sacred Music
Attn: Fr Scott Haynes SJC
825 N. Carpenter St.
Chicago IL 60642

The Patrons of Sacred Music (AMDG Foundation) also accept donations online via PayPal. Visit this link.


Donations in all amounts are deeply appreciated.


“Sounds French” - Organ Recital of Corrado Cavalli

Details:
Oct. 8, 3:00 pm


TICKETS



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REPERTOIRE

Allegro, from Deuxième Symphonie no. 2, Op. 20, Louis Vierne (1870-1937)
Communion (from L'Organiste moderne), Louis-James-Alfred Lefébure-Wely (1817 – 1869)
Sortie en sol (from L'Organiste moderne), Louis-James-Alfred Lefébure-Wely (1817 – 1869)
Pilgrim’s Chorus (from Tannhauser), Richard Wagner/ Franz Liszt (1813 – 1883)
Berceuse (From Pièce en style libre), Louis Vierne
Prelude and fugue in c, Healey Willan (1880 – 1968)
Scherzo op. 2, Maurice Duruflé (1902 – 1986)
Piéce Symphonique, César Franck (1822 – 1890)
Toccata de la Libération, Léonce de Saint-Martin (1886 – 1954)

ABOUT THE ARTIST

Corrado Cavalli is Organist at St John Cantius Parish Church in Chicago.

He began his musical studies with P.Tarallo (piano). He continued organ studies at the National Conservatory “Giuseppe Verdi” in Turin under professors G. Cagnani, L. Fornero. He graduated in 2006 and won as best organ performance the Turin National Conservatory’s prize “ C. Silipo” because of his high marks and being awarded a diploma. He was awarded 2 Master’s Degrees from the Turin National Conservatory in organ, summa cum laude, and in Choir Conducting and Choral Composition, summa.

He attended master-classes held by the famous professors L. Tagliavini, L. Robillard, L. Lohmann and others, of the courses took place in the prestigious “Haarlem International Academy for organists” (the Netherlands). In the choral field, he studied Choir conducting at the course sponsored by the Italian Choirs’ Federation (FENIARCO).

In 2007 he won the 12th National Organ Competition “Città di Viterbo” (Pinchi Prize) in the concertists section. In 2003 he won, in the students section, the 8th edition of the same competition.

He performs in many international festivals in Italy, Austria, France, Germany, Ireland, Norway, U.K, Poland, Principauté de Monaco, Slovakia and in the USA. He played with several vocal and instrumental ensembles with the Italian National Symphonic Orchestra of Rai, the French “Ensemble Orchestral des Alpes et de la Mer,” the Orchestra Filarmonica di Torino. He played Poulanc’s organ concerto with the symphonic orchestra of the National Conservatory “Giuseppe Verdi” of Turin.

He was invited to play the reopening concert of the great organ of the Turin conservatory’s Concert Hall before Turin’s cultural Ministry.

He recorded for the Effatà and Elledici and Elegia Records music labels and published for Biretta Books in Chicago and for Italian editions “Armeiln musica” and "Musica Practica".

He has been for four years the director of the high-school choir "In...canto".

As musicologist and professor he holds master-classes and Lectures about the organ music in Torino and in Italy from the XIX century to present days.

He is a member of the American Guild of Organists.

Marco Limone - Organ Recital

Details:
Oct. 1, 3:00 pm


TICKETS




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HEAR MARCO LIMONE



MUSICAL REPERTOIRE

Stay tuned...

SPONSORSHIP

Istituto Italiano di Cultura
Italian Government Cultural Institute
500 N. Michigan Avenue, Suite 1450
Chicago, IL 60611

Tel. +1-312-822-9545

Quo Vadis

Details:
Sep. 27, 7:00 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

Annual Benefit for the Canons Regular

Helping our seminarians with tuition.

Details:
Sep. 24, 2:00 pm




Sunday, September 24, 2017


Cocktails & Hors D'Oevres at 2 pm
Dinner at 4 pm

Gold Coast Room
Chicago Drake Hotel

Complimentary valet parking








Click here to view photos from last year's Annual Benefit »
YOU ARE CORDIALLY INVITED to join friends of the Canons Regular and gather with the priests and brothers for an elegant meal, lively entertainment, and one another's company at the beautiful Gold Coast Room room at The Chicago Drake Hotel just steps from Chicago’s lakefront.

In order for the Canons Regular to grow so that it can help preserve the Church’s precious heritage and give Her priests, we need your help. This benefit assists the community with expenses such as tuition, insurance and educational programs. Your donation of $500 per person includes fine cuisine, a live auction, entertainment, and complimentary valet parking.

All financial contributions, large or small, are greatly appreciated and will help us support our men in formation. Financial contributions are deductible to the full extent provided by law.

You know the importance of Sacred Tradition. You know how vital it is to maintain our Sacred Liturgy with its music, ceremonies and Sacred Art. You know the need we have for holy priests to serve in the Church. Your contribution to this years' Annual Benefit will make it possible to effectively broaden the special work, which this new religious community of men has started.




For more information about the Annual Benefit contact:
Delphine Michalik

Fr. Trenton Rauck, SJC

phone: (312) 421-0936

email: .(JavaScript must be enabled to view this email address)

Resurrection Choir and Orchestra sing for the 11 am Mass

Details:
Sep. 24, 11:00 am
Missa in honorem sancti Dominici. MH 419, Michael Haydn









Be Not afraid (from Elijah), Felix Mendelssohn



O Be Joyful, Healey Willan

Crown Him with Many Crowns, Arr. Rev. Scott A. Haynes, SJC

Cavelleria Rusticana & Pagliacci

Church Hall

Details:
Sep. 23, 6:00 pm


TICKETS

$26 (adults)
$22 (seniors over 65 and students)

Tickets sold at the door cost an additional $5 each.




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ABOUT THE OPERA

Cavalleria rusticana (Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from a play and short story written by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome.

Pagliacci (Italian for "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. It is the only Leoncavallo opera that is still widely performed. Opera companies have frequently staged Pagliacci with Cavalleria rusticana by Mascagni, a double bill known colloquially as 'Cav and Pag'.

Pagliacci premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Nellie Melba played Nedda in London in 1893, soon after the Italian premiere, and it was given in New York on 15 June 1893, with Agostino Montegriffo as Canio.

Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.

Quo Vadis

Details:
Sep. 20, 7:00 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

Sacred Music - September 17

Details:
Sep. 17, 9:00 am
9:00 am Mass

Organist Richard Spotts will play music for organ composed by Charles Tournemire from L'Orgue Mystique

XXXVII. Dominica XI post Pentecosten • Pièce Terminale: Choral Nº II
Alleluia, alleluia. Sing we merrily unto God our strength, make a cheerful noise unto the God of Jacob: take the psalm, bring hither the tabret, the merry harp with the lute. Alleluia. (Psalm lxxx/lxxxj)

XLV. Dominica XVIII post Pentecosten • Offertoire: Sanctificavit Moyses altare Domino
Moses builded an altar unto the Lord, and offered burnt offerings upon it, and sacrificed peace offerings: and he made an evening sacrifice for a sweet-smelling savour unto the Lord God, in the eyes of the children of Israel. (Exodus xxiv)

XLV. Dominica XVIII post Pentecosten • Communion: Tollite hostias
Bring presents and come into his courts: O worship the Lord in the beauty of holiness. (Psalm xcv/xcvj)

XLV. Dominica XVIII post Pentecosten • Pièce Terminale: Choral Alléluiatique Nº III
I was glad when they said unto me: We will go into the house of the Lord. Peace be within thy walls, and plenteousness within thy palaces. (Psalm cxxj/cxxij)

11:00 am Mass

The St. Cecilia Choir will sing music of Byrd, Philips, and Willan:

Mass for Five Voices, William Byrd (1543-1623)
Ave Verum, Healey Willan (1880-1968)
Salve Regina [Pars I/II], Peter Philips (c.1560–1628)

Organist Richard Spotts will play music for organ composed by Charles Tournemire from L'Orgue Mystique

XXXVII. Dominica XI post Pentecosten • Pièce Terminale: Choral Nº II
Alleluia, alleluia. Sing we merrily unto God our strength, make a cheerful noise unto the God of Jacob: take the psalm, bring hither the tabret, the merry harp with the lute. Alleluia. (Psalm lxxx/lxxxj)

XLV. Dominica XVIII post Pentecosten • Pièce Terminale: Choral Alléluiatique Nº III
I was glad when they said unto me: We will go into the house of the Lord. Peace be within thy walls, and plenteousness within thy palaces. (Psalm cxxj/cxxij)

12:30 pm Mass

TBA

10th anniversary of Summorum Pontificum

Music by the St Cecilia Choir

Details:
Sep. 14, 7:30 pm  -  Feast of the Exaltation of the Holy Cross

Quo Vadis

Details:
Sep. 13, 6:59 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

Karen Beaumont, Organ Recital

Details:
Sep. 10, 2:30 pm
PROGRAM

Fantasia Ex. D. in d
Weckmann

Fughetta in A major op. 37
Mendelssohn

Canon [IV] in C
Weckmann

Andante Tranquillo from Sonata III
Mendelssohn

Canzon [III] in d
Weckmann

Praeludium and Fugue in d minor op. 37
Mendelssohn

TICKETS


$15 (adult)
$10 (seniors over 65)
$10 (students)
$5 (youth 6-18)



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WHAT PEOPLE ARE SAYING

• "...I liked your playing...nice to hear a program of real organ music." John Scott, St. Thomas, NYC
• "It was such a pleasure... to hear you play again. It was a fascinating programme and a welcome contrast to the normal fare. I do hope you will come again, perhaps in 2018..." Peter Wright, Southwark Cathedral, London
• "...your CD recording is BEAUTIFUL!!! THANK YOU!!!" Peter Pany, CEO, Musikverlag Doblinger, Vienna, Austria

BIOGRAPHY

Karen Beaumont is an active organ recitalist and organ and piano instructor. She also plays the French Horn. From November, 1988 through April, 2011, she provided the organ and choral music at St. James Episcopal Church in Milwaukee, Wisconsin. She now plays regularly at St. John's Lutheran Church and St. Francis Church in Milwaukee. She holds a degree in Music History from the University of Wisconsin-Milwaukee.In addition to performing in venues throughout Southern Wisconsin, she has also performed in the various cities:

New York City:

• St. Thomas Fifth Avenue 1999, 2003, 2006, 2010, and 2015
• St. Patrick's Cathedral 2003, 2007, 2012, and upcoming in 2017
• St. Mary the Virgin 2004, 2007, 2009, and 2010
• Church of the Transfiguration 2005, 2008, 2010, 2016, 2017, and upcoming in 2019
• St. Mary's in Harlem 2010, 2014, and upcoming in 2018
• St. Peter's Lutheran 2000, 2001, and 2005
• Cathedral of St. John the Divine 2011
• St. Michael's Episcopal 2002
• St. Agnes Roman Catholic Church 2013
• Calvary Baptist Church 2014

Other North American Cities:

• San Francisco St. Mary's Cathedral 2009, 2010, 2012, 2014, 2016, and upcoming in 2018
• Toronto, Ontario St. James Cathedral 2011, 2013, and upcoming in 2017
• Chicago Holy Name 2004, 2005, and 2007/Fourth Presbyterian 2008 and 2010/St. John Cantius 2010, 2012, 2013, 2015, and upcoming in 2017
• Des Moines, Iowa St. Paul's Cathedral (Episcopal) 2004
• St. Paul, Minnesota Church of St. Louis 2005
• Denver, St. John's Cathedral 2012, Cathedral Basilica of the Immaculate Conception 2014, 2016, and upcoming in 2018
• Princeton University Chapel 2013 and 2015
• Boston King's Chapel 2013, 2015, and upcoming in 2017

United Kingdom:

• Norwich St. Andrew's Hall 2004
• Oxford Town Hall 2006,2008 and upcomingin 2019/Queen's College 2010/St. John's College 2011/Exeter College 2015 and 2017
• London Southwark Cathedral 2012, 2014, 2016, and upcoming in 2018

Radio Broadcast

• Radio-Ville Marie with Jacques Boucher as host, Montreal, Canada 2012 and 2015

Writing

• Reviews for The Living Church and The Diapason

Recordings

• French Organ Noels (two volumes): Cathedral of St. John the Evangelist, Milwaukee, Robert Noerhen Organ, 2002 and All Saints Cathedral, Milwaukee, Tellers Organ, 2014
• Early Spanish Organ Music, Lake Park Lutheran Church,Milwaukee, Steiner Reck Organ, 2008
• Austrian Organ Music from 1570-1833, St. Francis Church, Milwaukee, 1884 Schulke Organ, 2011
• Selections from The Well Tempered Clavier, 2012
• Selections from Ein barockes Orgelbuch in collaboration with Musikverlag Doblinger of Vienna, 2015
• Music by Dandrieu upcoming in 2017

Contact Karen Beaumont at: .(JavaScript must be enabled to view this email address)





St. Cecilia Choir sings 12:30 pm Mass

Details:
Sep. 10, 12:30 pm
PRELUDE

In the Name of God we will set up our Banners, Healey Willan (1880-1968)

ORDINARY OF THE MASS

Missa Brevis, Peter Mathews (b. 1944)



Credo from Messe Royale I, Henri du Mont (1610-1684)



OFFERTORY MOTET

Ave Verum Corpus, Fredrik Sixten (b. 1962)



COMMUNION MOTET

Anima Christi, Nicholas White (b. 1967)

Nicholas White's Anima Christi was written for the St. Cecilia Choir of St. John Cantius Church and is sung today for the first time.


RECESSIONAL HYMN

Ye Watchers and ye holy ones, Healey Willan (1880-1968)

“The Ten Commandments” - Cecil B DeMille

1923 Silent Film

Details:
Sep. 9, 6:00 pm  -  Accompanied by our 1927 Wurlitzer Theater Organ
Join us with your family and friends in the church hall for this great silent film classic accompanied by our Wurlitzer Theater Organ.

TICKETS

$10 (general admission)
$5 (kids 12 and under)



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OVERVIEW

The Ten Commandments (146 minutes) is a 1923 American silent religious, epic film and produced and directed by Cecil B. DeMille. Written by Jeanie MacPherson, the film is divided into two parts: a prologue recreating the biblical story of the Exodus and a modern story concerning two brothers and their respective views of the Ten Commandments.

Lauded for its "immense and stupendous" scenes, use of Technicolor process 2, and parting of the Red Sea sequence, the expensive film proved to be a box-office hit upon release. It is the first in DeMille's biblical trilogy, followed by The King of Kings (1927) and The Sign of the Cross (1932).

IMAGES FROM THE MOVIE

See these images from the 1923 silent film classic, The Ten Commandments:











MOVIE PLOT


The biblical tale of Moses' liberation of the Israelites is paralleled with the contemporary story of two sons of a religious family and their divergent paths in life.

Despite its epic scale, the Moses story takes up only about the first third of the film. After that, the story changes to a modern setting involving living by the lessons of the commandments. Two brothers make opposite decisions, one, John, to follow his mother's teaching of the Ten Commandments and become a poor carpenter, and the other, Danny, to break every one of them and rise to the top. The film shows his unchecked immorality to be momentarily gainful, but ultimately disastrous.

A thoughtful contrast is made between the carpenter brother and his mother. The mother reads the story of Moses and emphasizes strict obedience and fear of God. The carpenter, however, reads from the New Testament story of Jesus's healing of lepers. His emphasis is on a loving and forgiving God. The film also shows the mother's strict lawful morality to be flawed in comparison to her son's version.

Danny becomes a corrupt contractor who builds a church with shoddy concrete, pocketing the money saved and becoming very rich. One day, his mother comes to visit him at his work site, but the walls are becoming unstable due to the shaking of heavy trucks on nearby roads. One of the walls collapses on top of the mother, killing her. In her dying breath, she tells Danny that it is her fault for teaching him to fear God, when she should have taught him love.

This sends Danny on a downward spiral as he attempts to right his wrongs and clear his conscience, but he only gets into more trouble. To make money, he steals pearls from his mistress, and when she fights back, he kills her. He attempts to flee to Mexico on a motorboat, but rough weather sends him off course and he crashes into a rocky island, where he is presumably killed.

Throughout the film, the visual motif of the tablets of the commandments appears in the sets, with a particular commandment appearing on them when it is relevant to the story.

Quo Vadis

Details:
Sep. 6, 7:00 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

St. Cecilia Choir sings 12:30 pm Mass

Details:
Sep. 3, 12:30 pm
Missa de bomba, Pedro Bermudez (1558–1605)



Benedicimus Deum, Mikołaj Zieleński (c. 1550 – c. 1616)



Scapulis suis, Giovanni Pierluigi da Palestrina (c. 1525–1594)



Lord of all being, Healey Willan (1880-1968)

Quo Vadis

Details:
Aug. 30, 7:00 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

Quo Vadis

Details:
Aug. 23, 7:00 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

Annual Parish Picnic

Details:
Aug. 20, 12:00 pm  -  After the 11:00am Mass
Join us for our annual parish picnic. All visitors, parishioners, and friends are welcome.

Food, drink & fun.


We are in need of the following for donations:
Cases of Coke, Diet Coke, Pepsi,
Diet Pepsi, 7-up, Root Beer and Water
Can be placed in the Café after Masses

Volunteers are always needed -
Don’t be shy, call Fr. Brendan and offer your service. Young Adults, Quo Vadis members,
we look forward to seeing you help.
Needed:
set-up/take down
food donations

Call 312-243-7373 ask for Fr. Brendan





Quo Vadis

Details:
Aug. 16, 7:00 pm
Join members of Quo Vadis on Wednesday Night

7:00 p.m. Confessions St. Monica Novena
7:30 pm Mass & Compline followed by a Social, Talk, or other Event

Organ Music in August

Details:
Aug. 13, 8:59 pm
AUGUST 6

Mass at 9:00 am, 11:00 am, and 12:30 pm

Prelude and Fugue in G Major, BWV 541, Johann Sebastian Bach (1685 - 1750)
“Berceuse” from 24 Pièces en style libre, Louis Vierne. (1870-1937)

AUGUST 13

Mass at 9:00 am, 11:00 am, and 12:30 pm

Toccata and Fugue in d minor BWV 565, Johann Sebastian Bach (1685 - 1750)
Intrada, from Miniature Suite, John Ireland (1879 - 1962)
Toccata per l'Elevatione, from Fiori Musicali, Girolamo Frescobaldi (1583 - 1643)
Offertoire, from Heures Mystiques, Leon Boelmann (1862 - 1897)
Communion, from Heures Mystiques, Leon Boelmann (1862 - 1897)
Sortie, from Heures Mystiques, Leon Boelmann (1862 - 1897)

AUGUST 15

Mass at 7:30 pm

Allegro Maestoso from Sonata III, No. 3 op. 65, Felix Mendelssohn Bartholdy (1809-1847)

AUGUST 20

Mass at 9:00 am, 11:00 am, and 12:30 pm

Prelude and Fugue in e minor “Cathedral”, BWV 533, Johann Sebastian Bach (1685 - 1750)
Sonata No. 1 in E-flat, Allegro Moderato, BWV 525, Johann Sebastian Bach (1685 - 1750)

AUGUST 27

Mass at 9:00 am, 11:00 am, and 12:30 pm

Sonata III op 56 (Preludio - Adagio molto - Fuga), Alexandre Guilmant (1837 - 1911)
Menuetto-Impromptu, from Miniature Suite, John Ireland (1879 - 1962)
Wir glauben all an einen Gott BWV 680, Johann Sebastian Bach (1685 - 1750)
Basse et Dessus de Trompette, from Livre d'Orgue, Louis-Nicolas Clerambault (1676 - 1749)